Bass Concert Hall (
Program Notes
Submit your question for the post-performance discussion
The Great Flood is a collaboration between filmmaker and multimedia artist Bill Morrison and guitarist and composer Bill Frisell inspired by the 1927 catastrophe. The performances are co-presented with UT’s Visual Art Center as part of their exhibition Bill Morrison: Cycles & Loops.
Many consider the flooding of the Mississippi Delta in 1927, which left 27,000 square miles of land underwater, to be the greatest natural disaster in the history of the United States. Part of its legacy was the forced exodus of displaced sharecroppers who left plantation life and migrated to Northern cities, adapting to an industrial society with its own set of challenges. Musically, the Great Migration fueled the evolution of acoustic blues to electric blues bands that thrived in cities like Memphis, Detroit, and Chicago, becoming the wellspring for R&B and rock as well as developing jazz styles.
These events are reflected in Morrison’s film The Great Flood, a cinematic elegy based on archival photographs and newsreels and focused on ordinary people and their ability to adapt under extraordinary circumstances. Frisell’s score is informed by elements of American roots music, mixing rock and country, jazz and blues. Morrison’s projected film is accompanied by live performance of Frisell on guitar, Tony Scherr on bass and Kenny Wollesen on drums. Together, historic imagery dances with the sound of modern music.
DIG DEEPER
Bill Frisell and The Great Flood - KUTX 98.9
Fri, Jan 21, 6:45 - 7:15 p.m.
Bass Concert Hall - Level 6
For Ticket-holders Only
with Bill Morrison - Filmmaker and Multimedia Artist, Donato Loia - 2020-2021 Curatorial Fellow, Visual Arts Center, and MacKenzie Stevens - Director, Visual Arts Center
Post-Performance Discussion
Fri, Jan 21, immediately following the performance
Bass Concert Hall Stage
For Ticket-holders Only
with Bill Morrison and Bill Frisell
Submit your question for the post-performance discussion.
[The Great Flood] would be a memorable drama even played in total silence. Guitarist Bill Frisell's live soundtrack of howling blues chords, Thelonious Monk hooks, country-swing and Old Man River quotes would make a fine concert without a film, too. Put the two together [and] the result moves up another creative and emotional level.
– The Guardian
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